
The movies are literally in Hollywood screenwriter/producer Johnny Washington’s DNA as the grandson of Mazelle Washington, a legendary Black actress from the 1920s to the ’40s, who, as with such comparably gifted peers as Hattie McDaniel, was consigned to playing comedic servant roles during the studio system’s golden age, which coincided with the beginning of the steep, too-slow decline of racially segregated Jim Crow America. Johnny, who’s been fighting his own uphill battles with racially bli
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Coverage blindspot: Reporting on this development is currently concentrated in other segments of the media landscape.
Coverage blindspot: Reporting on this development is currently concentrated in other segments of the media landscape.
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